Author Archives: David

Multilingual Poetry Reading – Chapter I, Love Poems [2018.06.29]

We have been invited to perform at this brand new reading series curated and produced by the Raincoat Society. Our dear friend Nicole Antebi will be accompanying us with her beautiful animations.

Multilingual Poetry Reading is a series of poetry reading and performance events that encourage varying interpretations of the same poems in different languages and disciplines.

 

Friday, June 29, 2018, 7 PM – 9 PM
Brooklyn Art Library
28 Frost St
Brooklyn, New York 11211
free

 

“The language with which I make my poems has nothing to do with one spoken here, or anywhere.”
— Paul Celan

Multilingual Poetry Reading is a series of poetry reading and performance events that encourage varying interpretations of the same poems in different languages and disciplines.

The event is free and open to the public.
Special thanks to our host Brooklyn Art Library, a crowd-sourced library that features 40,609 artists’ books contributed by creative people from 135+ countries.

Event Organizer: Raincoat Society, a non-profit organization dedicated to presenting artists with fluid identities and multiple cultural backgrounds.

Poems to be read by Jorge Luis Borges, Marina Tsvetaeva, Paul Celan, Vasko Popa, Charles Pierre Baudelaire.

 

Performers:
l’Artiste ordinaire
A collaborative partnership between Melissa Grey & David Morneau. Specializing in sound-based performances, they create expansive projects that allow them to collaborate and connect with musicians, artists, engineers, scientists, creative technologists, and designers.

Sean Ali
A double bassist, improviser, and composer working in a variety of projects and contexts. Sean co-founded Prom Night Records and co-curated the monthly concert series Ze Couch. His project in collaboration with visual artist Cheng Ran had been shown at the New Museum.

Ju-eh (Juecheng Chen) is a conceptual virtuosic countertenor. With 10 years of classical singing training in Europe, he specializes in presenting what classical music can be today. Ju-eh is known for his Improvised Opera Salon series in New York and his performance with Sylva Dean and Me at Venice Biennale; his future engagement includes Meredith Monk’s opera Atlas with LA Phil in 2019.

Lu Wang (dk) is a composer, performer and audio-visual artist, born in Inner Mongolia, China and currently resides in New York. Lu’s musical versatility and sensibility are embodied in her work in over 30 film, installation, and live performance projects both locally and across Europe.

Curated by Tansy Xiao

“Tokyo to New York” with Tom Piercy at Spectrum Female Composers Festival [2018.06.10]

THOMAS PIERCY, Clarinet & Hichiriki.
TAKA KIGAWA, Piano.

SPECTRUM “Female Composers’ Festival”
“Tokyo to New York” – a one-hour concert featuring new music by NYC- and Tokyo-based composers.

Tom and Taka team up again to bring you another “Tokyo to New York” concert.

Program:
Miyuki ITO – “Decalage” for solo clarinet (United States Premiere).
Miho SASAKIi – “The Soul of Lights Freeze” for clarinet and piano.
Kumiko TAKAHASHI – “Hyousou” for solo clarinet (World Premiere, clarinet version).
Karen TANAKA – “Techno Etudes” for solo piano
Tomoko UZAWA – “Original Sin of Fallen Angel” for hichiriki and piano.

l’Artiste ordinaire [ Melissa Grey & David Morneau ] – “Biophonic Beats” for hichiriki, gated benjolin, trombone, and live processing (World Premiere)
Katherine HOOVER – “Ayres” for clarinet and piano.
Qi LI – “An Autumn Dusk in the Mountains” (NY Premiere) for clarinet and piano
Nina SINIAKOVA – “Sensu” for clarinet and piano.

________________________________________

SPECTRUM
June 10th at 7pm.
Tickets: $15.

Spectrum is located at:
70 Flushing Ave, Garage A
Brooklyn, NY 11205
(entrance between Cumberland and Carlton)

Transit:
F Train: York Street
B/Q/R Train: Dekalb Avenue
G Train: Clinton-Washington Avenues
————————————————–

“Tokyo to New York” celebrates the connections between Tokyo and New York City with a series of concerts in Tokyo and New York. The concerts feature new works composed for Western classical instruments as well as traditional Japanese instruments by Tokyo- and NYC-based composers. The musicians of “Tokyo to New York” have had the opportunity to work with the Japanese and American composers programmed in these concerts, and since 2012, “Tokyo to New York” has performed over 100 world premieres and numerous Japan and United States Premiers. The New York Times selected “Tokyo to New York” concerts as a critics’ concert of the week; NYClassical Review wrote of a “Tokyo to New York” concert as a season highlight; and a review from Lucid Culture Magazine described a “Tokyo to New York” concert as “…a fascinatingly eclectic, virtuosic program of new chamber works.”

Marc Fiaux

Video Artist

Marc Fiaux works in photography, video and sound design to create a heightened perception of space; Mixing together physical and virtual architectures, rendering real what was thought a figment of one’s imagination. Coming from a visual background, his practice maintains a good eye for design while expanding a multimedia approach that focuses on the acoustics of imaginary interiors through multi-sensorial installations.

marcfiaux.com

Biophonic Beats @ Pine Box Rock Shop [2018.04.27]

l’Ao brings Biophonic Beats, for gated benjolin and trombone, to Pine Box Rock Shop. Come out for beats and vegan treats.

This time we will be joined by special guests Gahlord Dewald on bass and Marc Fiaux on live visuals.

Biophonic Beats is a simulacrum of the interlocking sonic umwelten created by different species of vocalizing non-human animals. In any given environment, the sounds created by an individual species will shift and adapt to changes in the soundscape. The shifting, adaptive texture of Biophonic Beats is derived from the manufactured human rituals of communal dance; re-imagining anthropophony as biophony.

Friday, April 27, 2018, 9:30pm
Pine Box Rock Shop
12 Grattan St. Brooklyn, NY 11206
21+

[photo credit: Yuri Pires Tavares]
Check out the video of our performance on January 27:

 

 

[photo credit: Yuri Pires Tavares]

Tuned Squared [2018.04.20]

Tuned Squared
co-produced with Composers Concordance
April 20 @ 7:30pm
Broadway between 45th and 46th Streets

Outside, on top of the subway grate, in the pedestrian zone
Times Square, NYC

FREE

 

‘Tuned Squared’ is a co-production of Composers Concordance and l’Artiste ordinaire. Melissa Grey will direct a performance of Pauline Oliveros’s Tuning Meditation (1971), a vocal improvisation beginning with a single pitch, at the outdoor site of Max Neuhaus’s sound installation Times Square (1977). The installation exposes a rich sound texture of the resonance of the Square’s underground tunnel junction, which would otherwise remain unheard. By responding to this through voice, as a group, we aim to create a participatory, ecstatic experience with and for passers-by through sound. Our presence and activity will create a two-way conduit, amplifying Neuhaus’s original sound while contributing to Times Square’s sound.

 

‘Tuned Squared’ is made possible in part with public funds from Creative Engagement / Creative Learning, supported by the New York City Department of Cultural Affairs in partnership with the City Council and administered by Lower Manhattan Cultural Council. LMCC.net

 

l’Artiste ordinaire is a collaborative partnership between Melissa Grey & David Morneau. Specializing in sound-based performances, they create expansive projects that allow them to collaborate and connect with musicians, artists, engineers, scientists, creative technologists, and designers. artisteordinaire.org/

 

 

For more information please contact:
l.ao@artisteordinaire.org

 

Contributors

l’Artiste ordinaire

Lower Manhattan Cultural Council
New York City Department of Cultural Affairs in partnership with the City Council

 


Update: Performance Videos:

Performance 1:

 

Performance 2:

Biophonic Beats @ Marshall University [2018.03.28]

We are honored to be “Edwards Distinguished Professor of the Arts” Visiting Artists at Marshall University this spring. During our residency we will be presenting an expanded version of Biophonic Beats that will include student ensembles performing as groups of instrumental species in our sonic ecosystem.

Biophonic Beats is a simulacrum of the interlocking sonic umwelten created by different species of vocalizing non-human animals. In any given environment, the sounds created by an individual species will shift and adapt to changes in the soundscape. The shifting, adaptive texture of Biophonic Beats is derived from the manufactured human rituals of communal dance; re-imagining anthropophony as biophony.

 

Wednesday, March 28, 2018
Marshall University
[complete details coming soon]

 
[photo credit: Yuri Pires Tavares]

Ab Uno Pluribus [2018.03.24]

We will be performing a special edition of Biophonic Beats on Ab Uno Pluribus “from one to many” — a monthly audio-visual event in Manhattan (since 2014). There will be two other acts and a group improvisation to conclude the evening.

 

Ab Uno Pluribus
Saturday, March 24, 2018
NYU Waverly Labs for Computing & Music
31 Washington Place, New York

 

[photo credit: Yuri Pires Tavares]


Update
Performance video:

Kepler–19 @ Pete’s Candy Store [2018.03.09]

l’Ao returns to Pete’s Candy Store with special guest Jessica Bowers for an expanded performance of Kepler–19, for benjolin, sequenced gates, trombone, and mezzo-soprano. Kepler-19 is part of our Photon Ecstasy project.

Friday, March 9, 2018, 9:00pm
Pete’s Candy Store
709 Lorimer St, Brooklyn, NY 11211

[photo credit: Marc Fiaux]

 


Update
Performance video:

Jessica Bowers

Mezzo soprano Jessica Bowers has performed with Utah Opera, Anchorage Opera, Opera Boston, Caramoor International Festival, Central City Opera, and Ohio Light Opera. Roles include Mother Abbess in The Sound of Music, Hansel in Hansel and Gretel, The Third Lady in Die Zauberflöte, Rosina in Il Barbiere di Siviglia, The Queen in John Harbison’s A Full Moon in March, Ruth in Pirates of Penzance, Nicklausse in The Tales of Hoffmann, Mrs. Peachum in Three-Penny Opera, Hippolyta in A Midsummer Night’s Dream, and The Old Lady in Candide. She has performed recitals with Poetica Musica, Sonora Trio, and she plays regularly with guitarist Oren Fader as The Bowers Fader Duo. Recently she has performed with The Theater for the New City, The Sonora Trio, Litha Symphony Orchestra, Soft Series, and Composers Concordance. In the winter of 2018, she will sing the world premiere of Emily Brontë – Through life and death, a chainless soul, a monodrama written for her by Akemi Naito, at Tenri Cultural Institute. She will also sing with The Satori Ensemble in Bethlehem, PA.

For more information, please visit www.jessicabowers.net

 

[photo credit: Yuri Pires Tavares]

Biophonic Beats @ Pine Box Rock Shop [2018.01.27]

l’Ao brings Biophonic Beats, for gated benjolin and trombone, to Pine Box Rock Shop. Come out for beats and vegan treats.

Biophonic Beats is a simulacrum of the interlocking sonic umwelten created by different species of vocalizing non-human animals. In any given environment, the sounds created by an individual species will shift and adapt to changes in the soundscape. The shifting, adaptive texture of Biophonic Beats is derived from the manufactured human rituals of communal dance; re-imagining anthropophony as biophony.

Saturday, January 27, 2018, 9:30pm
Pine Box Rock Shop
12 Grattan St. Brooklyn, NY 11206
21+


Update
Performance video:

Toy Piano Resident Artist Outreach [2018.01.03]

l’Ao will be unveiling our new performance piece, Biophonic Beats, as part of our residency at the Boyd Hill Nature Preserve for the 2018 Florida International Toy Piano Festival.

Biophonic Beats is a simulacrum of the interlocking sonic umwelten created by different species vocalizing non-human animals. In any given environment, the sounds created by an individual species will shift and adapt to changes in the soundscape. The shifting, adaptive texture of Biophonic Beats is derived from the manufactured human rituals of communal dance; re-imagining anthropophony as biophony.

Wednesday, January 3, 2018, 6 PM
James Weldon Johnson Branch Library
1059 18th Ave S, Saint Petersburg, Florida 33705
free

Trappist–1

Trappist–1 is composed to activate the acoustic properties of the performance space. We create ringing clouds of sound that resonate with the room. These clouds fade into silences, allowing for the interpenetration of the sonic environment, here the groaning of the barge, the roar of passing helicopters, and the too-familiar coughing of audience members. These sounds are picked up by our microphones and processed by our system, becoming enmeshed in the performance.

 

 

Star typeultra-cool red dwarf star
Alternate names: 2MASS J23062928-0502285
Constellation: Aquarius
Right ascension: 23h 06m 29.283s
Declination: −05° 02′ 28.59″
Distance: 40 light years (12 parsecs)
Planets:

  • Trappist–1 b – sub-Earth type (mass smaller than Earth, likely a rocky planet)
    • Mass: ~0.8 Earth Mass
    • Orbital Period: 1.51087 Earth days (0.004 Earth years)
  • Trappist–1 c – sub-Earth type (mass smaller than Earth, likely a rocky planet)
    • Mass: ~1.63 Earth Mass
    • Orbital Period: 2.4218 Earth days (0.007 Earth years)
  • Trappist–1 d – sub-Earth type (mass smaller than Earth, likely a rocky planet)
    • Mass: ~0.33 Earth Mass
    • Orbital Period: 4.0498 Earth days (0.011 Earth years)
  • Trappist–1 e – sub-Earth type (mass smaller than Earth, likely a rocky planet)
    • Mass: ~0.24 Earth Mass
    • Orbital Period: 6.0995 Earth days (0.017 Earth years)
  • Trappist–1 f – sub-Earth type (mass smaller than Earth, likely a rocky planet)
    • Mass: ~0.36 Earth Mass
    • Orbital Period: 9.2064 Earth days (0.025 Earth years)
  • Trappist–1 g – sub-Earth type (mass smaller than Earth, likely a rocky planet)
    • Mass: ~0.566 Earth Mass
    • Orbital Period: 12.3528 Earth days (0.033 Earth years)
  • Trappist–1 h – sub-Earth type (mass smaller than Earth, likely a rocky planet)
    • Mass: ~0.086 Earth Mass
    • Orbital Period: 18.7662 Earth days (0.051 Earth years)